Darllen
YSTOD O LENYDDIAETH
______________________________________

Mae'r enghreifftiau a roddir ymhob categori yn rhai a awgrymir yng
nghynigion diwygiedig 'Saesneg yn y Cwricwlwm Cenedlaethol'. Awgrymiadau yn unig ydynt, ac
o'r herwydd maent yn gyfyngedig. Mae yna doreth o ddeunydd cyfoethog ar gyfer plant, a
gellid dod i wybod mwy am rywfaint ohono o'r ffynonellau canlynol:
(i) 'Hooked on Books' (dosbarthwyd 2 gopi o'r llawlyfr defnyddiol
hwn i bob dalgylch trwy law'r Athrawes Ymgynghorol Saesneg yn 1992)
(ii) Madelain Lindley Ltd, 79-90 Acorn Centre, Barry Street, Oldham,
OL1 3Ne
(anfonwyd manylion am y gwasanaethau a gynigir i bob ysgol ym Mawrth
1994)
(iii) 'Books for Keeps', 6 Brightfield Rd., Lee, London SE12 8QF
(iv) Books for your Children, FREEPOST, PM 575, Birmingham B15 1BR
Nid yw popeth a awgrymir yn addas ar gyfer darllen unigol. Gall
gweithgareddau darllen-grwp a darllen-dosbarth, a'r rheini yn cael eu hatgyfnerthu gan
waith llafar, helpu'r darllenwyr llai galluog fwynhau ac ymateb i destunau na allant
ymdopi â hwy fel unigolion.
Key Stage 1
Pupils should read on their own, with others and to the teacher a
range of good quality literature which includes nursery rhymes, poems, stories,
folk-tales, myths, legends, picture books and their own writing.
They should be given an extensive experience of children's
literature.
The books and poems read and discussed should be used to stimulate
pupils' imagination and enthusiasm. They should include some of these features:
interesting subject matter and setting which may be related to
pupils' own experience or extend beyond their knowledge of the everyday;
a clear viewpoint, with accessible themes and ideas;
a clarity of expression and use of language which benefits from
reading aloud and re-reading;
language with recognisable repetitive patterns, rhyme and rhythm;
straightforward characterisation and plot;
the use of a variety of narrative techniques, presented in
immediately accessible ways;
illustrations which are visually stimulating and enhance the words
of the text.
The literature pupils encounter in Key Stage 1 should be
wide-ranging and cover the following categories:
nursery rhymes, e.g. 'London Bridge is Falling Down', 'Oranges and
Lemons', poetry chosen from anthologies e.g. 'Singing in the Sun' edited by Jill Bennett,
'Poems for Seven Year Olds and Under' edited by Helen Nicoll, and poems from collections
by individual poets, e.g. 'Complete Poems for Children' by James Reeves, 'Hot Dogs and
Other Poems' by Kit Wright, 'Come on Into My Tropical Garden' by Grace Nichols;
poems and stories with familiar settings and those based on
imaginary of fantasy worlds, e.g. 'Rosie's Walk' by Pat Hutchins, 'But Martin!' by June
Counsel, 'The Elephant and the Bad Baby' by Elfrida Viponet and Raymond Briggs;
books and poems written by significant children's authors, e.g.
Janet and Allan Ahlberg (Each Peach, Pear, Plum), John Burnighmam (Mr Grumpy's Outing),
Maurice Sendak (Where the Wild Things Are), Eric Carle (The Very Hungry Caterpillar), Pat
Hutchins (Titch), Shirley Hughes (Dogger), Jill Tomlinson (The Owl Who Was Afraid of the
Dark), Anthony Browne (Bear Hunt), David McKnee (Not Now, Bernard), Dick King-Smith (Lady
Daisy), Beatrix Potter (The Tale of Peter Rabbit), Alison Uttley (Little Grey Rabbit to
the Rescue);
retelling the traditional stories, folk and fairy stories, e.g.
'Popular Folk Tales' by the Brothers Grimm (translated by Brian Alderson), 'Rapunzel'
edited by Barbara Rogasky; and Bible stories in a modern or simplified version;
stories from a range of cultures, e.g. 'Katie Morag Delivers The
Mail' by Mairi Hedderwick, 'A Story, A Story' retold by Gail E Hayley, 'Nini at Carnival'
by Errol Lloyd;
stories, poems and chants containing patterned and predictable
language, e.g. 'A Dark, Dark Tale' by Ruth Brown, 'The Berenstain Bears and The Spooky Old
Tree' by Stan and Jan Berenstain, 'My Cat Likes to Hide in Boxes' by Eve Sutton and Lynley
Dodd;
Key Stage 2
Pupils should be introduced to a wide range of literature and
non-fiction. Their reading should include stories, poems, fables, myths and legends,
novels, reference books and non-fiction texts.
Teachers should develop pupils' reading through the use of
progressively more challenging and demanding texts.
Opportunities for reading should include both independent and shared
reading of play scripts and other texts by groups and by the whole class.
Pupil's reading should include texts:
with challenging subject matter which broadens perspectives and
extends thinking;
with more complex narrative structures and sustained ideas; which
includes figurative language, both in poetry and prose.
The literature in this key stage should be wide-ranging and cover
the following categories:
a range of modern verse by writers such as John Agard, Allan
Ahlberg, Charles Causley, John Foster, Ted Hughes, Ogden Nash, Grace Nichols, Gareth Owen,
Brian Patten, James Reeves, Michael Rosen, Kit Wright;
a range of modern fiction by writers such as Richard Adams, Joan
Aitken, Betsy Byars, Susan Cooper, Helen Cresswell, Roald Dahl, Leon Garfield, Alan
Garner, Rumer Godden, Russell Hoban, Ted Hughes, Gene Kemp, Judith Kerr, Clive King, Dick
King-Smith, Penelope Lively, Jill Murphy, Jenny Nimmo, Philippa Pearce, Ian Serraillier,
Rosemary Sutcliff, Jill Paton Walsh, E. B. White;
some classic poetry
some long established children's fiction, e.g. Lewis Carroll
(Alice's Adventures in Wonderland), J M Barrie (Peter Pan), Richmal Crompton (Just
William), Arthur Ransome (Swallows and Amazons), Kenneth Grahame (The Wind in the
Willows), C S Lewis (The Lion, The Witch and the Wardrobe), A A Milne (Winne the Pooh),
Rudyard Kipling (The Jungle Book), E Nesbit (The Railway Children), Mary Norton (The
Borrowers);
texts drawn from a variety of cultures and traditions, e.g. Valerie
Flournoy (The Patchwork Quilt), Madhur Jaffrey (Seasons of Splendour), Florence Parry
Heide and Judith Heide Gilliland (The Day of Ahmed's Secret), John Steptoe (Mufaro's
Beautiful Daughters), Susan Jeffers (Brother Eagle, Sister Sky);
myths, legends and traditional stories, e.g. 'The Faber Book of
Great Legends' edited by Kathleen Lines, 'Tales from the Mabinogion' by Gwyn Thomas and
Kevin Crossley-Holland, 'Book of British Fairy Tales' edited by Alan Garner, 'The Broonie,
Silkies and Fairies: Travellers Tales' by Duncan Williamson, 'Mouth Open, Story Jump Out'
by Grace Hollworth, 'Beowulf' by Kevin Crossley-Holland.
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